The Risks of Heavy Drinking

The Risks of Heavy Drinking Addiction Alcohol Use Print The Risks of Heavy Drinking By Buddy T facebook twitter Buddy T is an anonymous writer and founding member of the Online Al-Anon Outreach Committee with decades of experience writing about alcoholism. Learn about our editorial policy Buddy T Medically reviewed by Medically reviewed by Steven Gans, MD on June 13, 2016 Steven Gans, MD is board-certified in psychiatry and is an active supervisor, teacher, and mentor at Massachusetts General Hospital. Learn about our Medical Review Board Steven Gans, MD Updated on May 04, 2019 Getty Images More in Addiction Alcohol Use Binge Drinking Withdrawal and Relapse Children of Alcoholics Drunk Driving Addictive Behaviors Drug Use Nicotine Use Coping and Recovery If you drink more than the recommended guidelines for alcohol consumption, you may be wondering what exactly are the risks. What is the harm in drinking too much alcohol? The recommended guidelines for low-risk drinking is four or fewer drinks a day for men and no more than 14 drinks a week. For women, its three or fewer drinks a day and no more than seven drinks per week. If you drink more than that, your drinking pattern is considered high-risk, or heavy drinking. Risk for Alcohol Use Disorders If you are a heavy drinker, the first risk that you face is developing an alcohol use disorder. Only 2% of people who drink at the low-risk level are ever diagnosed with alcohol abuse or alcohol dependence. But if you exceed the recommended levels, that percentage increases significantly, according to extensive research by the National Institute on Alcohol Abuse and Alcoholism (NIAAA). If you exceed those guidelines regularly, your risk of developing alcoholism can increase to 50%. If you develop an alcohol use disorder, according to research, you also run the risk of developing other personal problems, such as losing your drivers license, losing your job, and having problems with relationships. Heavy drinking is linked to many personal negative consequences. Risk for Increased Health Problems Scientific research has linked heavy drinking to a wide range of effects on your health. Almost every system in your body can be negatively affected by alcohol.  Heavy drinking has been shown to cause or contribute to the following health conditions: Liver disease or cirrhosis of the liverBrain damage or dementiaHigh blood pressureIrregular heartbeatCancer (alcohol has been linked specifically to head and neck cancers, breast cancer, colon cancer, and liver cancer) Risk for Injury While Intoxicated Heavy drinking also significantly increases your chances of becoming the victim of an injury - inside the home and out. Alcohol impairment or intoxication greatly increases your risk of injuring yourself or being injured by others. According to the latest statistics, alcohol is a factor: In 40% of fatal highway crashes, suicides, and fatal falls.In 50% of sexual assaults and trauma injuries.In 60% of all fatal fires, drownings, and homicides. Risk for Birth Defects If you drink heavily during pregnancy, you increase the risk of your baby developing a range of disorders known as fetal alcohol spectrum disorders (FASD). The most severe effect of prenatal alcohol exposure is fetal alcohol syndrome (FAS). It is not known if any amount of alcohol is safe to drink while you are pregnant. If you are pregnant or planning to become pregnant, it is recommended that you do not drink at all. If you drink and it is possible that you could become pregnant, frequent home pregnancy testing can help protect your child from prenatal alcohol exposure. Getting Help for Alcohol Use Disorders If you are an at-risk or heavy drinker, you may want to read how other drinkers say their health has been affected by their alcohol consumption. If you have experienced negative health effects, you may want to seek help in cutting down your alcohol consumption or trying to quit.

Business Communication - 8242 Words

IIBM INSTITUTE OF BUSINESS MANAGEMENT Answer Sheet Business Communication Rahul Sancheti 14/07/2015 The Detailed study Of The Business Communication has Been Submitted To The IIBM Institute Of Business Management Answer Sheet Business Communication Section A: Objective Type Short Questions Part one: Multiple choice: 1. __________is an essential function of Business Organizations: a. Information b. Communication c. Power d. None of the above Ans:B 2. Physiological Barriers of listening are: a. Hearing impairment b. Physical conditions c. Prejudices d. All of the above Ans:A 3. Which presentation tend to make you speak more quickly than usual: a. Electronic b. Oral c. Both „a‟ and „b‟†¦show more content†¦Define 7C‟s of effective communication. Ans: There are 7 C’s of effective communication which are applicable to both written as well as oral communication. These are as follows: 1. Completeness - The communication must be complete. It should convey all facts required by the audience. The sender of the message must take into consideration the receiver’s mind set and convey the message accordingly. A complete communication has following features: ï‚ § Complete communication develops and enhances reputation of an organization. ï‚ § Moreover, they are cost saving as no crucial information is missing and no additional cost is incurred in conveying extra message if the communication is complete. ï‚ § A complete communication always gives additional information wherever required. It leaves no questions in the mind of receiver. ï‚ § Complete communication helps in better decision-making by the audience/readers/receivers of message as they get all desired and crucial information. ï‚ § It persuades the audience. 2. Conciseness - Conciseness means wordiness, i.e, communicating what you want to convey in least possible words without forgoing the other C’s of communication. Conciseness is a necessity for effective communication. Concise communication has following features: ï‚ § It is both time-saving as well as cost-saving. ï‚ § It underlines and highlights the main message as it avoids using excessive and needless words. ï‚ § Concise communication provides short and essentialShow MoreRelatedBusiness Communication4956 Words   |  20 PagesOverview Business communication (or simply communications, in a business context) encompasses such topics as marketing, brand management, customer relations, consumer behavior, advertising, public relations, corporate communication, community engagement, reputation management, interpersonal communication, employee engagement, and event management. It is closely related to the fields of professional communication and technical communication. 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Also being nervousRead MoreEffective Business Communication4674 Words   |  19 PagesResearch Study on Effective Business Communication At American Express Financial Centre TABLE OF TABLE Table 1: Recruitment Methods 13 Table 2: Forms of written communication 15 Table 3: Formal Meetings 15 Table 4: External Communications 16 Table 5: Informal channels of communication 21 TABLE OF CONTENTS ACKNOWLEDGMENT 4 EXECUTIVE SUMMARY 5 INTRODUCTION TO BUSINESS COMMUNICATION 6 LITERATURE REVIEW 6 PROBLEM OF STUDY 7 OBJECTIVE OF STUDY 7 KEY TERMS 8 BRIEF OUTLINERead MoreBusiness Communication M11862 Words   |  8 PagesM1 Business Communication INTRODUCTION In P1 I talked about types of communications used by Asda and these are Verbal, written, on- screen. In this task I am going to show you the advantages and disadvantages of each type of communication referring it to my chosen company and that is Asda. 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Reasons For Attending The University Of California

There are a few reasons why I chose to attend the University of California, Los Angeles: Location, cost, the famous alumni, the historic athletic program, etc., but the main reason I chose UCLA was to obtain a college degree from one of the most prestigious public Universities in the world. Earning a degree is especially important to me because no one in my family (immediate or extended) has ever graduated from college. In fact, only a few members of family my have even taken a college class before – let alone obtained a college degree. Knowing that I could be (will be) the first in my family to not only graduate from college, but to graduate from a college like UCLA, is something that I hold very dear to my heart because of the amount of respect that people have towards this school. A degree from UCLA carries a little extra weight of importance because people have a significant deal of respect for the UCLA brand. People respect the UCLA brand for more than the Universities academic and athletic accomplishments; people also respect the UCLA brand because they have learned that they can come to expect a certain code of conduct from all UCLA Bruins – whether they are interacting with current students, alumni, or faculty. This positive perception that people associate with a degree from UCLA is what gives the degree the extra meaning it has. 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Satyajit Ray’s First Original Screenplay Free Essays

The film was first conceived to take place in a large mansion, but Ray later decided to film it in the famous hill town, using the many shades of light and mist to reflect the tension in the drama. An amused Ray noted that while his script allowed shooting to be possible under any lighting conditions, a commercial film contingent present at the same time in Darjeeling failed to shoot a single shot as they only wanted to do so in sunshine.. We will write a custom essay sample on Satyajit Ray’s First Original Screenplay or any similar topic only for you Order Now † fact remains that Ray shot this film with masterfully chosen available light conditions(read:no reflectors,you morons! to depict the subtle interplay of light and shade to blend in with progress of the storyline! (as an aside ray recounts the sad story of a Bollywood film crew who arrived in Darjeeling at the same time as ray’s team,and were still waiting for the elusive sun to arrive so they could begin shooting by the time ray had his whole film in the can and packed up to go home! ) the climactic scene of the kanchenjungha suddenly making a brilliant appearance at the penultimate hour never fails to bring out goosebumps! efinitely recommended. The single most noteworthy feature about this movie is the equivalence of real time (total time of the day being depicted in movie) and movie time (total screening time). At least among the Indian movie makers, Ray is the first one who had done such experiment and of course, he succeeded comprehensively. It depicts a real tim e event of 100 minutes on screen. So, in order to understand ‘the drama’ it’s recommended to understand his language to the extent possible. It comprise snapshots of various human characteristics like pride, simplicity, carnal desires, thoughtlessness, romance, heroism and above all triumph of human spirits over conventional, social idiosyncrasy. All this happens in the hill station of Darjeeling, in the lap of nature with the picturesque eastern Himalayas in the backdrop. It is mentionable that the background of all the above characters, their thought process and behavioral traits have been brilliantly presented through series of well conceived dialogues. Yes, only dialogues. No third person narratives. No visual manifestation in terms of flash back, dream sequences etc. In fact, the master storyteller has been able to generate such an evocative dialogue sequences that at the end of the film, the audience acquire full capacity to judge each and every character in the light of respective rationale. It is also noteworthy that Ray’s characters never surpass the humane status quo. They reflect relevant cognitive behavior and contextual influences. Be it â€Å"Siddartha† in Pratidwandi or â€Å"Arindam† in Nayak, one can never expect Ray’s protagonists molded in typical ubermanesque image in stark contrast to the so-called Heroes of Hollywood and Bollywood. It is also noteworthy that Ray’s characters never surpass the humane status quo. They reflect relevant cognitive behavior and contextual influences. Be it â€Å"Siddartha† in Pratidwandi or â€Å"Arindam† in Nayak, one can never expect Ray’s protagonists molded in typical ubermanesque image in stark contrast to the so-called Heroes of Hollywood and Bollywood. Kanchenjungha substantiate that. The elitist, urban Mr. Banerjee asserts boastfully about his professional and materialistic achievements. He even confesses about his clandestine foreign affairs while wooing his ladylove Monisha. This refined gentleman also depicts a prosaic approach towards conjugality and life in general. Towards the end he displays an extremely liberal and tolerant attitude, which is commendable in the realms of dominating, patriarchal association. Any write-up on Kanchenjungha would remain unfinished if it doesn’t mention the incorporation of ‘nature’ that accentuated the varied moods of the film — An overcast evening to suggest unfavorable circumstances, mist to render underlying tension and sunshine to portray agreeable settlement. Finally the mighty Kanchengha with all its splendor depict celebration of hope and aspiration. However, Ray has managed to remain an aloof and neutral presenter throughout the process of the film, which adds to the aesthetics of this cinematic masterpiece. This Ray film is fraught with imagery, symbolism, metaphors and weaves in a few independent stories together to culminate into an understanding of the human psyche. Coming to Kanchenjunga (the name belongs to the world’s third tallest mountain peak which is said to be elusive to human eye as it’s perennially clouded due to fog), the film follows a group of tourists on vacation in Darjeeling, a hill station – the first thing that comes to your mind is just how fraught the film is with metaphors- linking the human mind and attitudes to nature’s marvels- thereby the dense fog which prevents our protagonist (played mesmerisingly by Chabi Biswas) from seeing Kanchenjunga clearly is symbolic of his myopic opinions and it is lifted in the last scene where fter stripping himself away from all his erstwhile prejudices, he is able to view Kanchejunga for the first time. But, in the end, Kanchenjunga remains a film about human emotions which also talks about the socio- economic divide and dwells into the complex inflexible minds of some of us. The appropriate use of the natural lighting weather conditions (may be the best in Ra y’s career). How to cite Satyajit Ray’s First Original Screenplay, Essay examples

The Plague Essays (463 words) - Plague, Absurdist Fiction

The Plague The novel that I chose to do this report on was, The Plague, by Albert Camus. It is about a plague that hit the European countries in the middle ages. I chose to describe the literary term of parallelism. Here are some following facts about the story's plot that involve parallelism through the novel. The novel begins at Oran where the plague becomes known. The main character, Dr. Gernard Rieux, is a doctor. In the beginning of the story he finds a dead rat on the floor. Even in those times rats were not found dead on the middle of the floor. This was unusual, but he threw out the rat and forgot about it. Eventually the dead rats began to pile into large masses and burned. Soon after there were some people that got very sick, which made Mr. Rieux very curious. These reports of these ill people and the death of the rats were the beginning of the parallelism for this story. Since Bernard was a doctor he was the first to actually attempt to help one of these sick people. Michael was his first patient in this matter. He was the sickest person that the doctor had ever seen. Michael was pale white and vomited often, he hurt so much from the vomiting that he seemed paralyzed. Mr. Rieux tried to help the man the best that he could, but he ended up dying. Michael was the first person to die of this illness. After his death, many cases of this illness were reported widespread. Again more details of sickness and death, this is the parallelism for this novel. As the reports of sickness and death came to inform Dr. Rieux, he tried to comfort and cure the plagued patients. About ninety percent of the people infected had died. He wanted a stop to this plague. Quickly he linked the rats with the people. He knew that the rats began to get sick before the people did. At this time many people had the plague, except for the Chinese visitors. They never were infected. As the plot moves on death, sickness and the plague are still relevant. He studied their behaviors and everyday tasks and learned that they do something that was never often done in these middle ages. Not many people in these days bathed. The doctor began to notice that the people that bathed never got sick. So he asked all of his, still living patients, to take baths frequently. This proved to be the miracle cure for the people. The doctor asked his other fellow doctors to follow the same practice with their patients. The word was spread and the plague was soon wiped out. So as you can see, the literary term of parallelism was deemed very relevant through the ongoing plot. Death, sickness, and the plague epresented the story's parallelism. Albert Camus made parallelism the main literary term for this novel, given away by the title, The Plague.

The eNotes Blog Fact in Fiction The Top 20 Harry Potter SpellsDeciphered

Fact in Fiction The Top 20 Harry Potter SpellsDeciphered With the release of the last Harry Potter book,  Harry Potter and the Cursed Child, Potterheads everywhere can rejoice in one final installation of this epic tale. We used this as a chance to revisit some of the most iconic words uttered throughout the series- spells, charms, and curses- and find the root of their meaning. 1. Expecto Patronum A charm that creates a Patronus.  Expecto means I await in Latin, and Patronum means patron. We can surmise that Patronus, Latin for guardian, is what is being awaited. Expecto Patronum = I await a guardian. 2. Accio A charm that summons an object.  Accio simply means summon in Latin. Accio = summon. 3. Wingardium Leviosa A charm that makes objects fly.  This one is a sort of pseudo-Latin.  Wing can simply be taken from the English word, and  levis is Latin for lightweight. Together, these words make sense in a charm that makes things fly. 4.  Expelliarmus A charm that disarms ones opponent.  Expello  means to banish and  arma is Latin for weapons. Expelliarmus = to banish weapons. 5.  Lumos A spell that creates light at the tip of the casters wand.  Lumen is simply Latin for light. Lumos = light. 6.  Alohomora A charm that opens locked objects. J.K Rowling claims that  alohomora is a West African word meaning friendly to thieves. It seems to make perfect sense, since what thieves wouldnt want a door unlocked? 7.  Avada Kedavra A curse that murders ones  opponent. Avada Kedavra  seems to actually be the Aramaic form of the infamous phrase abracadabra, meaning let the thing be destroyed. 8.  Sectumsempra A spell that inflicts slash wounds.  Sectus  is Latin for cut up and  semper is Latin for always. Sectumsempra = always cut up. 9.  Obliviate A charm that erases memories. From the Medieval Latin word  obliviscor, which means to forget, obliviate literally means forget. 10.  Riddikulus A spell used to defeat a Boggart. Riddikulus seems to be a made-up spelling of the Latin word  ridiculus, which means the same as  ridiculous in English. This in itself is derived from  rideo, which means to laugh at or to smile. 11.  Imperio A curse that allows the caster to control a person.  Imperio is Latin for command. As a curse giving total control over someone, it checks out. Imperio = command. 12.  Petrificus Totalus A curse that paralyzes ones opponent. The Greek  petros means rock or stone, and the Latin  facio means cause to happen. That coupled with the Medieval Latin  totalis or classical Latin  totus, both meaning whole or entire, leaves petrificus totalus meaning to cause the entire thing to turn to stone.   13.  Stupefy A spell that knocks out ones opponent.  Stupeo means to be stunned in Latin, and  fio is Latin for cause to happen. Stupefy = cause someone to be stunned. 14.  Crucio A curse that inflicts torturous  pain on ones opponent.  Crucio literally means torture in Latin. How easy is that? Crucio = torture. 15.  Incendio A spell that starts a fire.  Incendo is Latin for set fire to. Incendio = set fire to. 16.  Aguamenti A charm that shoots water from the tip of ones wand.  Aqua in Latin- or  agua in Spanish- means water, and  augmen  is Latin for  growth. Aguamenti = growing water. 17.  Expulso A charm that makes blocking objects explode.  Ex translates to away in Latin, and  pulso means I strike. Expulso = I strike things away. 18.  Protego A charm that causes a spell to reflect onto its caster. Another direct translation, the Latin word  protego means to cover or  to protect. In this case, it applies to the charms ability to protect the caster. Protego = protect. 19.  Reducto A spell that explodes solid objects.  Reducto means having been reduced in Latin. Contextually, it seems that this applies to the objects being reduced into their most basic form, i.e. they are exploded into much smaller pieces. 20.  Reparo A spell that repairs broken or damaged objects.  Reparo is Latin for restore or renew. Easy, right? Reparo = restore. Need a refresher about the previous books? Check out the Harry Potter novels summary, or read about each book in order: Harry Potter and the Sorcerers Stone Harry Potter and the Chamber of Secrets Harry Potter and the Prisoner of Azkaban Harry Potter and the Goblet of Fire Harry Potter and the Order of the Phoenix Harry Potter and the Half-Blood Prince Harry Potter and the Deathly Hallows Teachers:  Take a look at our Harry Potter lesson plan and teaching unit!

Nahuatl - The Lingua Franca of the Aztec Empire

Nahuatl - The Lingua Franca of the Aztec Empire Nhuatl (pronounced NAH-wah-tuhl) was the language spoken by the people of the Aztec Empire, known as the Aztec or Mexica. Although the spoken and written form of the language has substantively changed from the prehispanic classical form, Nahuatl has persevered for half a millennium. It is still spoken today by approximately 1.5 million people, or 1.7% of the total population of Mexico, many of whom call their language Mexicano (Me-shee-KAH-no). The word Nahuatl is itself one of several words that mean to one extent or another good sounds, an example of encoded meaning that is central to the Nahuatl language. Mapmaker, priest, and leading Enlightenment intellectual of New Spain Josà © Antonio Alzate [1737–1799] was an important advocate for the language. Although his arguments failed to gain support, Alzate vigorously objected to Linnaeuss use of Greek words for New World botanical classifications, arguing that Nahuatl names were uniquely useful because they encoded a storehouse of knowledge that could be applied to the scientific project. Nhuatls Origins Nhuatl is part of the Uto-Aztecan family, one of the largest of the Native American language families. The Uto-Aztecan or Uto-Nahuan family includes many North American languages such as Comanche, Shoshone, Paiute, Tarahumara, Cora, and Huichol. The Uto-Aztecan main language diffused out of the Great Basin, moving where the Nahuatl language probably originated, in the upper Sonoran region of what is now New Mexico and Arizona and the lower Sonoran area in Mexico. Nahuatl speakers are first believed to have reached the Central Mexican highlands sometime around AD 400/500, but they came in several waves and settled among different groups such as Otomangean and Tarascan speakers. According to historical and archaeological sources, the Mexica were among the last of the Nhuatl speakers to migrate from their homeland in the north. Nhuatl Distribution With the founding of their capital at Tenochtitlan, and the growth of the Aztec/Mexica empire in the 15th and 16th centuries, Nhuatl spread all over Mesoamerica. This language became a lingua franca spoken by merchants, soldiers, and diplomats, over an area including what is today northern Mexico to Costa Rica, as well as parts of Lower Central America. Legal steps which reinforced its  lingua franca  status included the decision by King  Philip II  in 1570 to make Nahuatl the linguistic medium for clerics to use in religious conversion and for the training of ecclesiastics working with the native people in different regions. Members of the nobility from other ethnic groups, including Spaniards, used spoken and written Nahuatl to facilitate communication throughout New Spain. Sources for Classical Nahuatl The most extensive source on Nhuatl language is the book written in the mid-16th century by friar Bernardino de Sahagà ºn called the Historia General de la Nueva Espaà ±a, which is included in the Florentine Codex. For its 12 books, Sahagà ºn and his assistants collected what is essentially an encyclopedia of the language and culture of the Aztec/Mexica. This text contains parts written both in Spanish and Nhuatl transliterated into the Roman alphabet. Another important document is the Codex Mendoza, commissioned by King Charles I of Spain, which combined a history of the Aztec conquests, the amount and types of tributes paid to the Aztecs by geographical province, and an account of Aztec daily life, beginning in 1541. This document was written by skilled native scribes and overseen by the Spanish clerics, who added glosses in both Nahuatl and Spanish. Saving the Endangered Nahuatl Language After the Mexican War of Independence in 1821, the use of Nahuatl as an official medium for documentation and communication disappeared. Intellectual elites in Mexico engaged in a creation of new national identity, seeing the indigenous past as an obstacle to the modernization and progress of Mexican society. Over time, Nahua communities became more and more isolated from the rest of Mexican society, suffering what researchers Okol and Sullivan refer to as a political dislocation arising from the lack of prestige and power, and a closely-related cultural dislocation, resulting from modernization and globalization. Olko and Sullivan (2014) report that although prolonged contact with Spanish has resulted in changes in word morphology and syntax, in many places there persist close continuities between the past and present forms of Nahuatl. The Instituto de Docencia e Investigacià ³n Etnolà ³gica de Zacatecas (IDIEZ) is one group working together with Nahua speakers to continue practicing and developing their language and culture, training the Nahua speakers to teach Nahuatl to others and to actively collaborate with international academics in research projects. A similar project is underway (described by Sandoval Arenas 2017) at the Intercultural University of Veracruz. Nhuatl Legacy There is today a wide variation in the language, both linguistically and culturally, that can be attributed in part to the successive waves of Nahuatl speakers who arrived in the valley of Mexico so long ago. There are three major dialects of the group known as Nahua: the group in power in the Valley of Mexico at the time of contact was that Aztecs, who called their language Nahuatl. To the west of the Valley of Mexico, the speakers called their language Nahual; and dispersed around those two clusters was a third who called their language Nahuat. This last group included the Pipil ethnic group who eventually migrated to El Salvador. Many contemporary place names in Mexico and Central America are the result of a Spanish transliteration of their Nhuatl name, such as Mexico and Guatemala. And many Nahuatl words have passed into the English dictionary through Spanish, such as coyote, chocolate, tomato, chili, cacao, avocado and many others. What does Nahuatl Sound Like? Linguists can define the original sounds of classical Nahuatl in part because the Aztec/Mexica used a glyphic writing system based on Nahuatl that contained some phonetic elements, and the Spanish ecclesiastics matched the Roman phonetic alphabet to the good sounds they heard from the locals. The earliest extant Nahuatl-Roman alphabets are from the Cuernavaca region and date to the late 1530s or early 1540s; they were probably written by various indigenous individuals and compiled by a Franciscan friar. In her 2014 book Aztec Archaeology and Ethnohistory, archaeologist and linguist Frances Berdan provides a pronunciation guide to classical Nahuatl, only a small taste of which is listed here. Berdan reports that in classical Nahuatl the main stress or emphasis in a given word is almost always on the next-to-last syllable. There are four main vowels in the language: a as in the English word palm, e as in bet, i as in see, and o as in so. Most consonants in Nahuatl are the same as those used in English or Spanish, but the tl sound is not quite tuhl, it more of a glottal t with a little puff of breath for the l. See Berdan for more information. There is an Android-based application called ALEN (Audio-Lexicon Spanish-Nahuatl) in a beta form that has both written and oral modalities, and uses homemade illustrations, and word search facilities. According to Garcà ­a-Mencà ­a and colleagues (2016), the app beta has 132 words; but the commercial Nahuatl iTunes App written by Rafael Echeverria currently has more than 10,000 words and phrases in Nahuatl and Spanish. Sources Edited and updated by K. Kris Hirst Berdan FF. 2014. Aztec Archaeology and Ethnohistory. New York: Cambridge University Press.Dakin K. 2001. Nahuatl. In: Carrasco D editor. The Oxford Encyclopedia of Mesoamerican Cultures. Oxford: Oxford University Press. p 363-365.Garcà ­a-Mencà ­a R, Là ³pez-Là ³pez A, and Muà ±oz Melà ©ndez A. 2016. An Audio-Lexicon Spanish-Nahuatl: Using technology to promote and disseminate a native Mexican language. In: Bradley L, and Thouà «sny S, editors. CALL communities and culture – short papers from EUROCALL 2016: Research-publishing.net. p 155-159.Maxwell JM. 2001. Languages at the Time of Contact. In: Evans ST, and Webster DL, editors. Archaeology of Ancient Mexico and Central America: An Encyclopedia. New York: Garland Publishing Inc. p 395-396.Mundy BE. 2014. Place-Names in Mexico-Tenochtitlan. Ethnohistory 61(2):329-355.Olko J, and Sullivan J. 2014. Toward a comprehensive model for Nahuatl language research and revitalization. Proceedings of the Annual Meeting of the Berk eley Linguistics Society 40:369-397. Sandoval Arenas CO. 2017. Displacement and revitalization of the Nahuatl language in the High Mountains of Veracruz, Mexico. Arts and Humanities in Higher Education 16(1):66-81.Various authors. 2011. Los Nahua. Cultura Viva, Arqueologà ­a Mexicana 19(109, May-June)